SELECTED GROUP EXHIBITIONS |
2002-present |
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MALT (Marin Agricultural Land Trust), Ranches & Rolling Hills, Nicasio, CA |
2018 |
|
George Billis Gallery, Los Angeles Invitational, Los Angeles, CA |
2017 |
|
Heritage Museum, Painted Landscapes: Contemporary Views, Sandwich, MA |
2012 |
|
Gerald Peters Gallery, Singular Visions, Santa Fe, NM |
2011 |
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Gerald Peters Gallery, Land Use/Misuse, Santa Fe, NM |
2010 |
|
Gerald Peters Gallery, Mixed Contemporary Artists, Santa Fe, NM |
2009 |
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Gerald Peters Gallery, Stormy Weather: Holiday Group Show, Santa Fe, NM |
2007 |
|
Andreeva Gallery, The Lure of Landscape, Santa Fe, New Mexico |
2005 |
|
Claudia Chapline Gallery, Ocean Works, Stinson Beach, CA |
2003 |
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Bolinas Museum, Bolinas, CA |
|
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Claudia Chapline Gallery, Stinson Beach, CA |
2002 |
|
Santa Cruz Art League, The American Landscape, Santa Cruz, CA |
2001 |
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Ann Switzer Gallery, Tiburon, CA |
|
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Mill Valley Community Center, Landscapes, Mill Valley, CA |
|
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Claudia Chapline Gallery, Landscape Painting, Stinson Beach, CA |
2000 |
|
Bolinas Museum, On Canvas, Bolinas, CA |
|
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Claudia Chapline Gallery, Earth, Sea and Air; and Olema Valley Ranches Today, Stinson Beach, CA |
1999 |
|
Sonoma Museum of Visual Art, California Small Works, Santa Rosa, CA |
|
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Triton Museum of Art, Biennial Pastel Exhibition, Santa Clara, CA |
|
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Museum of Fine Arts, Healing Art, University of Montana, Missoula, MT |
1997 |
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Bradford Gallery, The Land Under a Foot, San Anselmo, CA |
1996 |
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Triton Museum of Art, Biennial Watercolor Exhibition, Santa Clara, CA |
|
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Triton Museum of Art, Biennial Print & Draw Exhibition, Santa Clara, CA |
1993 |
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Claudia Chapline Gallery, Black and White, Stinson Beach, CA |
1988 |
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Emanuel Walter & Atholl McBean Galleries, San Francisco Art Institute, Overview: Alumni Annual, San Francisco, CA |
1983 |
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Altos de Chavon Gallery, Exposicion RD/USA, Dominican Republic |
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Crown Zellerbach Gallery, Showing Our Works, San Francisco, CA |
1978 |
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Brustlin Gallery, The West, San Francisco, CA |
1976 |
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San Francisco Art Institute, Rushmore: Surveying the American Icon, San Francisco, CA |
AWARDS / RESIDENCIES |
1983 |
|
Artist-in-Residence, Gulf+Western Corporation, Altos de Chavon, Dominican Republic |
1982 |
|
Emmy Award, Outstanding Individual Achievement in News Graphics, San Francisco, CA |
|
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Award of Excellence, Broadcast Designer’s Association, San Francisco, CA |
1963 |
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Guest Art Editor, Mademoiselle Magazine, New York, NY |
1961 |
|
Summer Art Scholarship, U.C.L.A., Los Angeles, CA |
COLLECTIONS |
BNSF Railway |
Gulf+Western Corporation |
United States Air Force |
United States Parks Department |
Various U.S. and international private collections |
REVIEWS |
Smith, Diane, "Meanderings," The Ark, (June 1,2016) |
Gutenberg, Rhonda, “Sausalito Art Scene,” Marin Scope (Oct. 31, 2000). |
Kent, Tom. “No Rainbows Need Apply,” City Magazine (May 13, 1975). |
Tarshis, Jerome. “Chasing Rainbows,” San Francisco Magazine (May 1975) |
Weeks, H.J. “The Rainbow Show, or-What is That Crock Full Of?”, ArtWeek (May 10, 1975). |
PUBLICATIONS |
In An Artist's Shoes: An Intimate Look at a Painter's Life in Art, self-published. |
Painted Landscapes: Contemporary Views, Lauren Della Monica, Schiffer Publishing, Atglen, PA |
Landforms of the Southwest: New Paintings, Suzanne Siminger, Fisher Press, Santa Fe, NM |
Contemporary Realist Landscapes, self published |
Ranches & Rolling Hills: Art of West Marin - A Land in Trust, Elisabeth Ptak, Windgate Press, Sausalito, CA. |
PROFESSIONAL EXPERIENCE |
San Francisco Art Institute, San Francisco, CA, 1985-1986 |
KGO TV (ABC Television), San Francisco, CA, 1973-1986 |
College of Arts and Crafts, Oakland, CA, 1974 |